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S.A.-Mann Brand (Storm Trooper Brand) is a German film made around the time that Adolf Hitler became Chancellor of Germany. It was released in mid-June 1933. This Nazi film tells the story of a young truck driver who is having trouble making ends meet until he is exposed to the teachings of Adolf Hitler. He joins the S.A.—aka Storm Troopers— and manages to convert his father—a worker and former soldier with Marxist leanings—and his girlfriend of the rightness of the Nazi cause.

Hitlerjunge Quex, (Hitler Youth Quex), is a 1933 German film directed by Hans Steinhoff, based on the similarly named 1932 novel Der Hitlerjunge Quex by Karl Aloys Schenzinger. It was released in the United States as Our Flag Leads Us Forward. Heini Völker is a teenage boy, living in poverty with his mother and father. Heini's father, a veteran of the Great War, is an out-of-work supporter of the Communist Party. The organizer for the local communist chapter, a man named Stoppel, befriends Heini and invites him to an outing in the country, promising him swimming, camping and games. Heini accepts and duly turns up at the railway station the next day. The Hitler Youth are also there, taking the same train. When the communists arrive at their own camp, there is only smoking, drinking, and dancing. Boys and girls play games like cards, unlike the games which Heini expected. Heini doesn't feel welcome, and wanders away. In another part of the forest, Heini comes across the Hitler Youth camping by a lake where they are holding a midsummer bonfire. Heini watches them from a distance, but is caught by them, and taken into the camp, but they recognise him as having travelled with the communists, and so they send him away as well. Heini sees them doing all the things that he hoped to participate in, i.e. camping and swimming. He is enamored by their singing. In the morning, Heini watches the Hitler Youth's morning activities, but Stoppel comes looking for him. He hides from Stoppel and instead catches a ride into town from a stranger. When Heini returns home, he tells his mother about the Hitler Youth, and sings one of their songs to her, but his father overhears it and beats him for it. Heini wants to join the Hitler Youth and visits one of the Hitler Youth members' home, promising to come to the opening of their new club house. However, he arrives late, just as the communists are attacking the Hitler Youth members. Even though he had nothing to do with the attack, he is among those arrested by the police. The police arrest some of the Hitler Youth, but no communists. When the police let him go, he is recognised by the Hitler Youth members, who accuse him of colluding with the communists during the attack. Stoppel is impressed by the fact that Heini didn't tell the police that the communists were the ones who started the ruckus. He confides in him that the communists plan to attack the Hitler Youth later that day, but Heini is distraught and threatens to tell the Hitler Youth about the attack. He attempts to warn Ulla by telephone, but Fritz dismisses the matter. Heini also informs the police, but they do not believe him either. In the end, Ulla seems to have convinced Fritz to do something, as the communists' weapons store is blown up. Stoppel realises that Heini must have warned the Hitler Youth, and he goes to Heini's house and hints to his mother that he is going to kill him. However, later Stoppel has a change of heart and orders the communists not to retaliate against Heini. Heini's mother is so distraught that she decides to kill her son and herself by shutting the windows and leaving the gas on in their apartment at night. She is killed, but Heini survives. Heini's father happens to meet Heini's Hitler Youth troop leader, Kass, when both men go to see Heini at the hospital. It is here that Heini's father reveals that he was injured in the war, and that that is the reason he could not work. Kass attempts to convince Heini's father to join the Nazis. Heini decides to move into a hostel run by the Hitler Youth, where he discovers to his dismay that not all members of Hitler Youth have such high moral values as he had thought. They call him Quex, originally as an insult, a shortening of “Quecksilber” (quicksilver). The Hitler Youth leader takes care not to send Heini to the district where the communists live, but they find out where he is staying. Stoppel seeks Heini out on the street, and tries to convince him to return to the communists. Heini refuses, and Stoppel warns him not to return to the communist district. One day, one of the Hitler Youth is beaten up by the communists while putting up posters, and Heini convinces his leader to allow him to visit the communist district to hand out flyers. However, his fellow Hitler Youth Grundler has been taken in by the communist girl Gerda, and throws all the flyers in the river. Heini then offers to reprint all the posters during the night and puts up the posters before the morning. The communists hear about this and chase him and stab him. The Hitler Youth find him lying face-down dying.

This documentary by filmmaker Leni Riefenstahl's is about the Nazi party's 1934 rally in Nuremberg, Germany. Told without narration, it documents all six days of activities from Adolf Hitler's arrival to his departure. It includes speeches by all of the major participants as well as the various activities of the thousands upon thousands who attended. In Hitler’s speeches, he promises that there will no longer be a class system and that all obedient, brave Germans will be taken care of. They are told that they can create their own “perfect” German society as long as they stand together.

For Merit is a German film directed by Karl Ritter , released in 1938 . It is a Nazi film that spreads the idea of ​​the Dolchstoßlegende (Stab in the back), which explains the defeat of World War I by a betrayal of Jewish bankers within Germany. It also portrays the former soldiers as the pioneers of National Socialism in Germany and glorifies the rearmament of the Wehrmacht . The Dolchstoßlegende " legend of the stab [in the back]" ) is an attempt to exonerate the German Army from the defeat of 1918 , by attributing responsibility to the civilian population behind the front, to the Jews.

Jud Süß, -'Süss, the Jew') is a 1940 Nazi German historical drama film produced by Terra Film at the behest of Joseph Goebbels. Considered one of the most antisemitic films of all time, the film was directed by Veit Harlan, who co-wrote the screenplay with Eberhard Wolfgang Möller and Ludwig Metzger. It stars Ferdinand Marian and Kristina Söderbaum with Werner Krauss and Heinrich George in key supporting roles. The film has been characterized as "one of the most notorious and successful pieces of antisemitic film propaganda produced in Nazi Germany." It was a great success in Germany, and was seen by 20 million people. Although its budget of 2 million Reichsmarks was considered high for films of that era, the box office receipts of 6.5 million Reichsmarks made it a financial success. Heinrich Himmler urged members of the SS and police to see it. In this notorious Nazi propaganda historical costume melodrama, a conniving, ambitious Jewish businessman, Süß Oppenheimer, snares a post as treasurer to the Duke of Wurttemburg by showering the corrupt duke with treasure and promises of even greater riches. As the Jew's schemes grow more elaborate and his actions more brazen, the dukedom nearly erupts into civil war. Persuaded by the Jew, the Duke all but scuttles the constitution and alienates the assembly by lifting the local ban on Jews in Stuttgart. In a final outrage, the Jew rapes a wholesome German girl and tortures her father and fiancée. When the Duke succumbs to a sudden heart attack, the assembly of Elders try the Jew and sentence him to death for having “carnal knowledge of a Christian woman.”

This documentary, aims to be an "indispensable tool in the hands of the Aryan race," designed to depict the "true" Jew when the masks of Western civilization fall off. The Jews of Poland (invaded by Germany in 1939) are depicted as filthy, evil, corrupt, and intent on world domination. Street scenes are shown prejudicially, along with clips from Jewish cinema of the day and photos of Jewish celebrities, while the narrator "explains" the Jewish problem. The climax and resolution of the film is Hitler's 1939 announcement that the Jewish race will meet its "annihilation" (Vernichtung).

The Rothschilds (Die Rothschilds) is a 1940 Nazi German historical film directed by Erich Waschneck. As William I, Elector of Hesse refused to join the French supporting Confederation of the Rhine at its formation in 1806, he is threatened by Napoleon. In Frankfurt, he asks his agent Mayer Amschel Rothschild to convey bonds worth £600,000 he has received from Britain to subsidise his army to safety in England. Rothschild however uses the money for his own ends, with the help of his sons, Nathan Rothschild in London and James Rothschild in Paris. They first use the money to finance Wellington's army in Spain's war against Napoleon, at advantageous terms of interest. In a notable coup, in 1815, Nathan spreads the rumour that Napoleon had won the Battle of Waterloo, causing London stock prices to collapse. He then bought a large quantity of equities at the bottom of the market, profiting handsomely as prices rose once the truth about the battle emerged. In a decade, the Rothschilds have accumulated a fortune of £11 million by using the Elector's money. Nathan returns the original capital to the Elector, plus only a small amount of interest, keeping the great bulk of the profits for the Rothschilds, and plans to formalise a Europe wide network of family led financial institutions. The film ends with a declaration that, as the film is released, the last Rothschild has left continental Europe as a refugee and the next target is England's plutocracy.

Homecoming (German: Heimkehr) is a 1941 Nazi German anti-Polish film directed by Gustav Ucicky. In 1939, Hitler publicly announced the invasion of Poland to rescue the “abused German people.” This film was created to show the German people his story that justified his actions. In the film, German immigrants in Poland are depicted as an abused minority. Their homes and schools are taken over by the Polish police, they are highly taxed and refused care at hospitals, and many characters are beaten and stoned to death. Later on, German people are rounded up, crammed into cages, and forced into inhumane conditions. The captured Germans cry and sing, wishing they could be back in their homeland. Eventually, German soldiers invade and save the prisoners so they can return home.